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TWR020 - Realm without King (with Felix Ensslin)

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Simon Bronikowski
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Marije Nie
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Felix Ensslin

(recorded on Nov 29, 2020)

“Agora. The marketplace. This is where we negotiate who we are. Who we want to be.” With this claim Marcel Cremer founded the Agora Theater in St Vith in 1980. A German-speaking theater in Belgium. The first question: The involvement of the local population in the Hitler era. Consequently, the first performance with amateur actors is “Die Ermittlung” by Peter Weiss. For 30 years Cremer was the artistic director, author and director of the AGORA Theater and formed it into a professional and renowned ensemble of the independent scene. After he died in 2009, the group managed to continue.

On the occasion of Agora’s 40th anniversary we speak with Felix Ensslin, philosopher, dramaturg and theatre director about this special theatre. 

CHAPTERS
00:00:00 Stray Leaves Conversation & Introduction
00:07:51 Future of the Podcast & Other Reflections
00:25:48 40 Years Agora Theater
00:43:57 Freedom and Institution
01:01:16 German-Speaking Community in Belgium
01:09:09 Identity & Home 
01:16:13 Hannah Arendt, the Wolf and the Fox
01:23:39 The Wolf Stays Out 
01:32:42 To Be Continued…

 

We are happy to receive any (constructive) feedback and criticism, corrections, comments, questions and notes: whiteroom (at) whiteroom-pod.com. You can also comment below. We will try to reflect on this input in the podcast.

You can support the podcast by subscribing to it and by becoming a producer, if you like. A small regular contribution already makes a big difference.

TWR018 - Money for Nothing (with Harald Redmer)

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Simon Bronikowski
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Marije Nie
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Harald Redmer

(recorded on 15 October)

Harald Redmer, born in 1954, lives in Münster as a freelance actor, director, producer and dramaturg. He was co-founder of the renowned Theater im Pumpenhaus Münster and has been a member of the Bonn “fringe ensemble” since 2001.

In August 2013 Harald switched “to the other side of the table”, becoming the manager of the Landesbüro Freie Darstellende Künste (Regional Association for Independent Performing Arts) North-Rhine Westphalia in Dortmund, Germany – which he developed and expanded in seven laborious years together with his team to being one of the biggest regional associations of independent performing artists in Germany, with lots of different activities from lobbying for theatre to managing government funds for performing arts.

With Harald we speak about the strange need of being a so-called “independent artist”, what could have to do with the disease of “projects”, how funding works and what should be changed, how changes happen through voicing interests (a.k.a. lobbying), how to transition from project funding to something like “practice-based funding”, about corona-driven funding revolutions, why and how artists should get involved in politics and much more. 

Title photo is by João R. Hermeto – hermeto.nl


We are happy to receive any (constructive) feedback and criticism, corrections, comments, questions and notes: whiteroom (at) whiteroom-pod.com. You can also comment below. We will try to reflect on this input in the podcast.

You can support the podcast by subscribing to it, by recommending it to your friends and by becoming a producer, if you like. A small regular contribution already makes a big difference.

TWR017 - On the Road: FAVORITEN Festival 2020

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Simon Bronikowski
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Antje Velsinger
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Ulrike Seybold
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Maria Vogt
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Olivia Ebert
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Saskia Rudat

(recorded on 17, 18 & 20 Sep)

Simon has had the great pleasure to accompany this year’s edition of the FAVORITEN Festival, one of the oldest festivals for independent performing arts in Western Germany, which is organised every two years since 1985.

Now this podcast is becoming a peripandemic podcast, meaning „about“, „around“, „surrounding“ the pandemic; as we have to deal with the pandemic, which is not going away, we have to deal with this podcast which is also staying, by reinventing it and trying out new things. So this is the first episode of the white room “on the road” – and it was fun!

In the podcast Simon talks to

Antje Velsinger, choreographer and performer based in Cologne and Hamburg, about her performance dreams in a cloudy space (Sound: Julia Krause) and the meeting of young and old bodies
Ulrike Seybold, manager of the regional association for independent performing arts in North Rhine Westphalia, about her work
Maria Vogt from the performance group KGI about their work And now everyone! An Opera (Music: Moritz Anthes, Rasmus Nordholt-Frieling) and working with “non-professional” performers
Olivia Ebert, one of the Artistic Directors of the Festival together with Fanti Baum, about the festival in general and the topic “WORK”
Saskia Rudat, performer and director, and her team about their performance Defining (i) dentity olo dentity oio dentity (l) dentity (Sound: Jakob Lorenz) and all the questions that Simon had. You can use the chapter markers to skip to what interests you.

Sound excerpts are used with the kind permission of the copyright owners.
Festival photos (c) Sarah Rauch 


We are happy to receive any (constructive) feedback and criticism, corrections, comments, questions and notes: whiteroom (at) whiteroom-pod.com. You can also comment below. We will try to reflect on this input in the podcast.

You can support the podcast by subscribing to it, by recommending it to your friends and by becoming a producer, if you like. A small regular contribution already makes a big difference.